Ricky Dillard

Sweet, Sweet Spirit

Ashburn

Ricky Dillard is a chart-topping gospel singer, songwriter, producer, and Grammy nominee from Chicago. He emerged from the 1980s house music scene (where he worked with <a href="spotify:artist:63yl9nDNrHpiAYGlNJxxjc">Frankie Knuckles</a>) to lead a church choir, which he's been doing ever since. With a sophisticated style that juxtaposes R&B, funk, dance music, blues, jazz, and Black Gospel, Dillard forged a unique identity on the church music scene with his <a href="spotify:artist:1iPYcDieUxYYhnOea6w5hw">New Generation Chorale</a> (since renamed NG). Beginning with 1991's The Promise, his complex fusion of styles and bold choral and rhythmic arrangements enhanced an already dynamic vocal style. His recordings have all registered in the upper half of U.S. Gospel charts, while his concert tours sell out more often than not, sometimes months in advance. Later recording dates like 1993's A Holy Ghost Take-Over for <a href="spotify:search:label%3A%22Malaco%22">Malaco</a>, spread his unifying musical message from urban radio stations and churches in the northern half of the United States to popularity in the Deep South, where he and NG have toured churches and festivals. Dillard's place in the modern gospel pantheon has flourished in the 21st century. 2014's Amazing on <a href="spotify:search:label%3A%22eOne%22">eOne</a> and 2017's 10 both topped the gospel list, and reached the Top 200. 

Ricky Dillard was born and raised in Chicago, where he inherited a love for gospel music from his mother and grandmother, and started singing in a church choir at an early age. Dillard soon began directing the youth choir in his church (starting at the age of five), and later the young adult choirs. It was around this time that Dillard came across two specific recordings that inspired him to pursue gospel singing even more zealously: <a href="spotify:artist:5g1lWbZIQ0LCWbKmRJDSSn">James Cleveland</a> and <a href="spotify:artist:7nwUJBm0HE4ZxD3f5cy5ok">Aretha Franklin</a>'s "Amazing Grace" with <a href="spotify:artist:6nrfgKd4mle6E26ygcxXEP">the Southern California Community Choir</a>, and one by <a href="spotify:artist:4TYPJy5FnpAFqecLk536R9">the Institutional Radio Choir</a> from Brooklyn, New York. Shortly thereafter, Dillard began drawing inspiration from other gospel performers as well, including <a href="spotify:artist:46Lq0z4kAyZehou1hnoQga">Dr. Charles G. Hayes</a>, Marvin Yancy, <a href="spotify:artist:4UsSlDV1lMpcitobN7gXDD">Thomas Whitfield</a>, Bishop Albert Jamison, and the Tribal Mass Choir. Dillard continued to direct choirs locally and was a member of <a href="spotify:artist:1MWWUdLJVnU7HryE29JNZI">the Thompson Community Singers</a>.

While continuing to study, learn, and perform gospel, Dillard actually began his recording career in secular music. Always interested in advanced and compelling rhythmic charts and arrangements, Dillard was fascinated with the Windy City's house music scene during the mid-'80s. He met and worked with <a href="spotify:artist:63yl9nDNrHpiAYGlNJxxjc">DJ Frankie Knuckles</a>, and collaborated with other notable record producers including <a href="spotify:artist:0B9P7RXrukgIdmutz9XMVN">Farley "Jackmaster" Funk</a> on "It's You" in 1987, and "As Always" (1988). He also worked with deep house pioneer <a href="spotify:artist:3j7teie3p6UnbA8nW51Trz">Larry Heard</a>, the main producer of Dillard's secular first album, Let the Music Use You, released by <a href="spotify:search:label%3A%22Jack+Trax%22">Jack Trax</a> in 1989. Gospel remained Dillard's heart level passion though. He was drawn to the recording studio and production techniques as well as the innovative use of break and rhythm tracks that drew him to house in what he later claimed was a somewhat academic exercise: He wanted to know how to record and to bring truly contemporary musical expression into his own brand of gospel. 

During the early '90s, Dillard started issuing solo albums -- supported by his New Generation ensemble, later shortened to New G -- that often merged gospel with dance music. These releases included 1991's Grammy-nominated Promise, 1993's A Holy Ghost Take-Over, 1995's Hallelujah, and 1996's Worked It Out. Starting with 2000's No Limit, Dillard's albums regularly peaked within the Top Ten of Billboard's gospel chart. While 2011's Keep Living peaked at number three, 2014's Grammy-nominated Amazing and made the Top 200. Three years later, <a href="spotify:artist:2fLoyBsKDj6JvrJxytD1VF">Ricky Dillard & New G</a> delivered Amazing. It topped the Gospel charts and peaked at 28 on the Top 200, and 2017's 10 was their second consecutive gospel number one. 

Two years later, Dillard signed to <a href="spotify:search:label%3A%22Motown+Gospel%22">Motown Gospel</a>, drawn by its roster of innovative young and veteran talent. In May 2020, Dillard, NG, and a slew of co-producers issued their label debut, Choirmaster; it peaked at two on the gospel chart. Dillard brought his dance music pedigree out of the closet when he surprise-released Choirmaster: The Chicago House Remixes to streaming in July. Collaborating with singer producer Max Stark, the five-track, 18-minute set resonated with the international DJ set as well as gospel fans. ~ Greg Prato, Rovi

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All of your favorites from Ricky Dillard, featuring hit worship songs, such as, &quot;Fill Us Once Again&quot; and &quot;Redeemed.&quot; Made by <a href="https://open.spotify.com/user/sozoofficial?si=a201aa5ac5bf4588">SOZO Playlists</a>

All the best hits from Gospel artist Ricky Dillard!

Ricky Dillard

Sweet, Sweet Spirit

Choirmaster II (Live)

Breakthrough: The Exodus (Live)

Choirmaster

Keep Living

Worked It Out

Pass Me Not

Sweet, Sweet Spirit

When I Think (Radio Edit / Live)

Jesus, Jesus, Jesus (Live)

When I Think (Live)

Hold On (Live/Radio Edit)

Behold Christ The Lord

All Of My Help (Live)

Choirmaster: The Chicago House Remixes

Let There Be Peace On Earth / Since He Came / Release / More Abundantly Medley